Tavish Ellis & Dayne Melvin – Find Your Place (2017, Self-Released)

Without getting too political or dismal, The United States is in a weird place at the moment. On top of

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Echonaut – Noosphere Navigation System (2017, ODrex Music)

The popularity of dub techno seems to be increasing recently (see last week’s review of Wanderwelle). Furthermore, the Jamaican-influenced electronic

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Wanderwelle – Lost In A Sea Of Trees (2017, Silent Season)

In April, Wolfgang Voigt revived his famous project GAS with a new album. Fans were transported back to the music’s

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sunstream – Virtual Sky (2017, Self-Released)

Let’s say a few words about Lancaster County, PA. Millions of tourists visit to eat Amish cuisine at the Central

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Asha Mirr – It’s A Big World (2017, Business Casual)

Every year, there is a brouhaha over the next release from UK producer Burial. The previously anonymous William Bevan was

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High in Las Vegas – High in Las Vegas 3 (2017, Museum of Skin)

If you know anything about Hunter S. Thompson, then you are probably aware of the book, Fear and Loathing in Las

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Various Artists – Six Feet Under (2017, Grimoire)

There’s a chance you’ve never heard of witch house. Perhaps you’ve heard of it and think it sucks. Maybe you’re

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Reflections From Nowhere – Not Here or Anywhere (2016, Self-Released)

Before we can talk about dark ambient music, we must talk about the 1970s. While most might think of disco,

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Campfire’s Edge – The Last Lighthouse (2017, Self-Released)

Years ago, I reviewed Robert Rich’s “Somnium.” At the time, it was the longest album in history, though Rich beat

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Running in Slow Motion – Everything Ends (2017, Self-Released)

Ambient music has an intriguing following. Since 1976, drones have flowed off the airwaves every Saturday night at Philadelphia’s WXPN.

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